RT60 Reverb Time Calculator (Sabine)
Room volume + surface absorption → reverberation time, with material presets and the targets for studios, home theaters, classrooms and halls.
Targets by purpose: vocal booths 0.1–0.25 s, mixing/home theater 0.2–0.4, living rooms 0.4–0.7, classrooms ≤0.6 (intelligibility), chamber halls 1.4–1.8, symphony 1.8–2.2, cathedrals 4+ (and organ music written to exploit it). Sabine assumes diffuse fields — it overestimates in small or very dead rooms.
Formula
⚠️ Acoustic estimates from standard formulas — real rooms, drivers and ears vary. For hearing-safety decisions use a calibrated SPL meter and official occupational limits.
Room volume + surface absorption → reverberation time, with material presets and the targets for studios, home theaters, classrooms and halls.
About RT60 Reverb Time Calculator (Sabine)
Wallace Sabine invented architectural acoustics in 1895 by carrying seat cushions between Harvard lecture halls at night, timing how long sound took to die: RT60 — the time for a 60-dB decay — is still the room number that matters most. This calculator runs his formula from your room's dimensions and finish level, reports the absorption in the sabins he named, and grades the result against the targets that separate vocal booths from cathedrals.
How to use RT60 Reverb Time Calculator (Sabine)
- 1Enter — sensible defaults are pre-filled so you see a worked result immediately.
- 2Read the live results: .
- 3Check the "With your numbers" line to see the formula Sabine: RT60 = 0.161 × V / A, A = Σ(surface × absorption coefficient) — V in m³, A in m² sabins substituted step by step.
- 4Adjust inputs (or flip the unit toggle) until the scenario matches yours, then copy or share the result.
Why use RT60 Reverb Time Calculator (Sabine)?
- ✓Instant, free and private — every calculation runs in your browser, nothing is uploaded
- ✓Built on the published formula Sabine: RT60 = 0.161 × V / A, A = Σ(surface × absorption coefficient) — V in m³, A in m² sabins with sources cited on the page
- ✓Targets by purpose: vocal booths 0.1–0.25 s, mixing/home theater 0.2–0.4, living rooms 0.4–0.7, classrooms ≤0.6 (intelligibility), chamber halls 1.4–1.8, symphony 1.8–2.2, cathedrals 4+ (and organ music written to exploit it). Sabine assumes diffuse fields — it overestimates in small or very dead rooms.
- ✓Switch units, tweak any input and watch every result update live
Frequently asked questions
What does RT60 sound like at different values?+
Clap once and listen: 0.2 s is a treated studio (the clap simply stops); 0.5 a comfortable furnished living room (brief warmth); 0.8 the slightly echoey empty apartment that makes voices ring; 1.5 a school gym where speech needs effort; 3+ a cathedral where each chord blooms into the next. The same physics that flatters Gregorian chant at 4 s destroys a lecture: optimal RT60 is purpose-dependent, which is why this tool grades rather than scores.
How do I lower my room's reverb time — and by how much per panel?+
Add sabins: each m² of good absorber (a 5-cm rockwool panel, α≈0.9 mid-band) adds ~0.9 sabins, and RT60 falls as 0.161V/A — so HALVING reverb time means DOUBLING total absorption. A bare 73-m³ room with 4.7 sabins (1.0 s) needs about 5 more sabins — six standard 60×120 cm panels — to reach 0.5 s. The diminishing-returns curve is built in: the first six panels transform the room; the next six only nudge it. Soft furnishings count too: a fabric sofa is worth 2–4 sabins, a thick rug over underlay 1.5–3.
Why does my room measure differently at bass vs treble?+
Absorption coefficients are frequency curves, not numbers: a 5-cm foam panel absorbs 90% at 2 kHz and nearly nothing at 100 Hz, carpet likewise — so untreated-but-furnished rooms typically decay fast in the highs and slowly in the bass (the 'boomy but dull' signature). A proper acoustic design quotes RT60 per octave band and aims for a gently rising-toward-bass or flat profile. The single mid-band figure this tool computes is the planning headline; the octave detail is where studio designers earn fees — and where bass traps (see our room-mode tool) do the heavy lifting.
When does the Sabine formula stop being trustworthy?+
At its assumptions' edges: it presumes a DIFFUSE field (sound energy uniform, arriving from everywhere), which fails in very absorbent rooms (α̅ > ~0.3 — use Eyring's logarithmic correction; Sabine overestimates RT there), in small rooms below the modal transition (~150–200 Hz where discrete room modes, not statistics, govern decay — our room-mode calculator's territory), and in oddly-shaped or coupled spaces. For a furnished rectangular room judged mid-band, it's honest to ~20% — Sabine's cushions built a science from less.
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